Publication: Staging notions of space: Realising compositional intention in 3D and stereo record production through Dolby Atmos

Abstract: This chapter addresses the recording and production of the song ‘Ventetid’, mixed for playback in Dolby Atmos and stereo. By revealing aspects of the production process from idea to finalised recording, I examine how notions of space affect aesthetic, performative, and compositional aspects of the