What processes, can the term songwriting contain in contemporary popular music?
How has the process of making music developed through the history of recorded music?
In what ways do contemporary songwriters operate according to or opposed to existing definitions of the term?
The research group Songwriting and Production at the Faculty of Fine Arts has the pleasure of inviting scholars, songwriters, producers, and PhD candidates in higher music education for a two-day symposium at the University of Agder, Norway, for presentations and panel discussions on these and other related questions.