In the recently published book Digital Globalization of Creative Industries (2025) two of CreaTeME's researchers, Liucija Fosseli and Daniel Nordgård, contribute with the chapter "The skills to pay the bills: new digital skills in a digital and global music market". The publication is directly connected
The inaugural issue of Journal of Music Production Research, published on 29 October 2025, features six articles - one of which is written by CreaTeME researcher Ingvild Koksvik. In her article ‘Metaphors and multimodal mental imagery in immersive and stereo record production’ Koksvik examines how embodied
The Journal of Popular Music Education Volume 8, Issue 3, published in September 2024, featured two significant contributions from researchers involved in the CreaTeME project. The first article (read here), "Putting the Ego Aside: A Case Study of the Peer-to-Peer Feedback Dialogue Among Electronic Popular
The working conditions and finances of artists and musicians within popular music in Norway have not been surveyed since 2015. The Performing Artist Survey will now provide answers to a range of questions about life as a performer. The results from the survey are now
In the world of music education, the act of showcasing original work to peers and instructors can appear straightforward—a chance for growth and improvement. Yet, beneath this surface lies a labyrinth of complexities and nuances waiting to be unraveled. Andreas Waaler Røshol delves into this
Abstract: This chapter addresses the recording and production of the song ‘Ventetid’, mixed for playback in Dolby Atmos and stereo. By revealing aspects of the production process from idea to finalised recording, I examine how notions of space affect aesthetic, performative, and compositional aspects of the